A blog for Fall 2015 NEiA Advanced Layout class with instructor, Coni Porter. The purpose is to offer faculty and peer feedback in a timely manner, allowing and encouraging the students to progress in a focused and productive way.
Wednesday, November 18, 2015
LithoArt Logo Ideas
So after sketching some ideas these six are the ones I choose to try digitally. The fonts are not set. Would like some feedback and maybe a direction I should try heading in.
The most interesting logo idea I see is the one on the bottom right. Although it is a little hard to read, it has a nice shape and seems to be going in an interesting direction. The "L" is a bit hard to read out…I would suggest using the same weight for all letters and line treatment to give unity and a stronger sense of unity.
The bottom left is also a good direction to follow through—the text is well encased, although the text feels a little static…I would play around with a different typeface as well as a different line weight!
As I mentioned in class, the bottom right logo is the most successful. However, that being said I agree with Tan, it is a little hard to read but that can be worked on. The L does get a little lost as the underline. The T shapes are also a bit bolder then the rest of the text, perhaps try to balance that out.
Donovan I agree with the other two. The bottom right one is definitely the direction you want to be going in. I think the next step is to pick out some different fonts that you feel go with this style of printing and applying those to this logo. For example, is the process used for thick printing or fine art printing or something in between? Maybe choosing a font that goes with that will help guide you.
Hey Donovan,
ReplyDeleteThe most interesting logo idea I see is the one on the bottom right. Although it is a little hard to read, it has a nice shape and seems to be going in an interesting direction. The "L" is a bit hard to read out…I would suggest using the same weight for all letters and line treatment to give unity and a stronger sense of unity.
The bottom left is also a good direction to follow through—the text is well encased, although the text feels a little static…I would play around with a different typeface as well as a different line weight!
Hi Donovan -
ReplyDeleteAs I mentioned in class, the bottom right logo is the most successful. However, that being said I agree with Tan, it is a little hard to read but that can be worked on. The L does get a little lost as the underline. The T shapes are also a bit bolder then the rest of the text, perhaps try to balance that out.
Dan
Donovan
ReplyDeleteI agree with the other two. The bottom right one is definitely the direction you want to be going in. I think the next step is to pick out some different fonts that you feel go with this style of printing and applying those to this logo. For example, is the process used for thick printing or fine art printing or something in between? Maybe choosing a font that goes with that will help guide you.